case studies

Case Studies

Sin City
release date: April 1st 2005
budget: $40,000,000
opening weekend: $29,120,273
total worldwide gross: $158,753,820
only new film released on weekend of April 1st, a week before any other new releases
Fans of the graphic novel

0 nominations or awards
certificate 18
Sin city:a dame to kill for
release date:22nd august 2014
budget:
opening weekend: $6,317,683
total worldwide gross: $39,407,616
released in two weekends after the release of guardians of the galaxy so competing with that on its opening, also expendables 3 and teenage mutant ninja turtles.
A franchise sequel
Bruce Willis, Mickey Rourke, Joseph Gordon-Levitt, Josh Brolin, Jessica Alba
certificate 18


Expendables 3
release date: august 15th 2014
opening weekend: $15,875,645
total worldwide gross: $206,172,544
relies heavily on cast and nostalgia, also final film in a trilogy of successful films
also released around guardians and TMNT, heavily affected the box office as previous films had pulled more
Sylvester Stallone, Arnold Schwarzenegger,
certificate 15

The Grandmaster
release date: 30 august 2013
gross: $64 million
based on the legend of bruce lee's master, Ip man
different take from ip man/ip man 2, focuses more on the focus of the meaning of kung fu
nominated for 2 oscars
certificate 12

Pitch Black
release date: February 2000
Budget: $23,000,000
Opening weekend: $15,000,000
Total worldwide gross: $53,187,659

The Shining

Scene analysis: the shining

For the first scene to analyse I have chosen the part which sees Jack (Jack Nicholson), in my opinion, finally descending into his madness as he sits in the golden room bar then investigates room 237 for the “crazy woman” that attacked his son Danny. To begin Jack is seen sat at an apparently empty bar. This initial set up shows a close up of Jack. I believe that this shot is quite effective as it allows me to see the change in Jacks face and then the later laugh as he realises, or believes, that Lloyd the barman is standing before him. The shot then changes to show us a medium shot of Lloyd standing before the backboard or the bar. I believe that the lighting is amazing here as, to me, it shows Lloyd as the main part of the scene as it shows him clearly and surrounded by light however Jack is backed by the darkness of the room, alternatively I believe that Jack now clearly has something blocking him and his mind from re capturing the light before his final decent into the madness. Playing on the madness edge again, once the shot has returned to a medium shot of Jack sat at the bar we can see the Mise-en-scene of him being surrounded by green tables, which again makes me believe that I am being shown Jacks gradual fall into the sickness and madness. This continues until his wife Wendy runs down the hall and into the gold room screaming for Jacks help. In my opinion this simple long shot to medium shot pan and back to long shot take shows me that Wendy has snapped Jack back into reality as the original close ups and medium shots showed me that Jack was perhaps locked in with himself and his madness he now is shown with more space and less of the green objects that littered the previous shots of jack sat at the bar. Later we see a long shot of Mr. Halloran in his bed and again I saw that he was surrounded by green, in my opinion this seems to show that the madness is always going to happen and even the most “powerful” character of Mr. Halloran has fallen into some form of insanity. Later shots as Jack enters room 237 are shown from a point of view perspective which plays on a horror convention as it makes me feel slightly more tense as I, as a viewer, have now been inserted into the scene and in turn the horror. Also the movie once again plays on the use of colour, in my opinion, to show off the decent of madness as most of room is also covered in green colours however purple is now introduced that makes me believe that Jack will perhaps fall towards the more psychotic side of madness and laugh as he does it. The scene continues as Jack comes to a bathroom that again is coated in a sickly green colour, this is a part that I believe is most important as after seeing what Jack has seen with the woman in the bathroom we are shown a close up of Jacks face that shows a creepy smile and the first step which to me seems like I am witnessing Jack welcoming the madness and willingly falling for it.

The second scene I chose is the scene where Jack has finally broken and is now trying to murder Wendy and Danny In their room. This scene begins with the mid shot of Wendy and Danny as she hears Jack trying to break through the door. The diegetic sound coupled with the non-diegetic music, for me, adds a lot of tension as it suddenly appears moments before Jack begins the attack and doesn’t give me a chance to relax as it is constantly adding tension to the scene. Wendy then escapes into the bathroom with Danny, this made me feel slightly confused as the high key lighting and white walls gave me confidence and a sense that they had found a safe zone however it also plays to the convention of horror as they are now isolated in an almost inescapable room with Jack closer and closer to getting them (this is similar to a scene in aliens when our remaining survivors find themselves trapped in a defendable room that the aliens are quickly breaking into and they have little to no chance of escape). The scene later shows us a close up of Jacks face once he finally reaches the bathroom door and begins to yell through to Wendy. While this seems small I believe that it plays towards the horror aspect really well as we can see how immediate the danger is in that jack is right next to the door, it also allows us to see the emotion portrayed which seems to show that Jack is finally completely fallen into this madness as he is about to murder his wife and son and he is laughing, smiling and joking and sometimes it almost seems like he is simply doing it to himself. Again the movie plays to a convention of a near PoV shot as I feel I am placed opposite Wendy as we both witness the axe coming through the door. As this shot allows me to see both this and the look of complete terror on Wendy’s face I truly begin to fear what is about to come. A part that I find is clever is when we see a mid-shot of Jack as he places his head through the hole he has just created, while to me, on my first viewing not knowing what was to come, thought that was not particularly scary, the shot suddenly cuts to the famous close up of Jacks head in the hole which allowed me to see the true extent of the madness and the subsequent “HERE’S JOHNNY” line that has been parodied time and time again (even in the Simpsons) in its original terrifying glory.    

No Country For Old Men.

 

We looked at an important scene from 'No Country For Old Men' in this scene Llewelyn (Josh Brolin) is trying to retrieve the case full of money from the hotel; however Anton (Javier Bardem) is attempting to stop him from collecting the money. This leads to him attacking the wrong people. The scene opens with a point of view of the road ahead; this establishes the setting around Anton and makes me feel a part of the scene. They have used natural light however it is low key due to it being night-time. To me this can show suspicion and set the time of day. Through-out this scene they have only used diegetic sound, in the opening scene there is very little background sound, it's only the objects important to the plot that make the most obvious sounds such as the locator.

The next camera shot used is a medium close-up of the man in the car, the lighting and sound is exactly the same as it was in the first shot. The next shot is a high angle close-up of the locator, this shot blocks out any other surroundings so I know the locator is the main object in the scene. There is diegetic sound in the background of the locator making a 'beeping' noise. The camera shots and sound show the importance of the locator, I know this because they have used a close-up and use the same shot several times. They have cut to go back to the medium/close-up of the man in the car, the light is constant throughout the scene in the car and so is the sound in the background. This means it doesn't take our focus of what is happening in the scene as there isn't too much going on. It cuts sharply to a low angle medium shot of Llewelyn cello taping a pole together, there is low key lighting used within the room however he is highlighted to show he's the main object within the scene. The diegetic sound you can hear within this shot is the sound of the tape wrapping around the pole.                                                          

The shot then goes back to a medium/close-up of the man in the car, this is a reoccurring shot within the beginning of the scene; this turns into a point of view while he pulls up into the hotel. It then turns into a long shot of the car driving into the car park, the camera pans with the movement of the car. The diegetic sound of the car breaks are louder than the rest of the background noise to show that it is an important noise, there is low key lighting used however there are more shadows as it is darker outside due to the time of day. The shot then goes back to a close-up of the man taping up the pole the sound of the tape is a lot more frantic to show he's in a rush. There is a sharp cut back to a close-up of the man in the car, then back to a point of view shot of him driving around the car park the lighting and sound is consistent throughout this shot to make this scene feel more realistic and important. A close-up of the locator and gun is used to show they signify something and are important to the scene, all background noise is quietened and the 'beeping' noise of the locator is the main source of sound. Low key lighting is used however the locator seems to be highlighted so it sounds out more to show its importance. A quick cut to the close-up of the Anton is used again; however it changes back to the point of view from the car.

Scene Analysis: Terminator 2

The final scene from the second instalment of the terminator series is, in my opinion, an extremely intense scene of action and emotional crippling, where I used to believe that this scene was all down to the story I now pick up on several camera and lighting choices that make the scene an even more intense experience.

One part of the scene sees one of our heroes, Sarah Conner, in a close call with the T-1000, the villain. This part sees the camera switching between the two characters in close ups of the faces. As we switch between we see each face bathed in a colour, a red colour covers the villains face at an angle which leaves sinister shadows across his face where Sarah’s is completely covered by a blue light that continuously flickers during the encounter which, to me, seems as if it’s trying to show that Sarah is losing this battle and is close to giving up. This technique is utilized again later in the scene when our villain stands on an edge and so close to defeat when we lose hope and he stands and repairs before molten metal again which shows him surrounded by flames and covers him in an orange colour, we then in turn see another of the heroes that we previously thought dead rise up through a blue and white light.

A part that takes on a more emotional side is when our heroes finally triumph over the villain and he falls into a smelting chamber. This part now gives us camera shots that are further away from the characters, making use of long shots and medium shots and also angles which again add more to the scene for me. As our villain is finally defeated we watch as he melts into the molten metal we see a medium shot from his level which then changes to a close up from above and finally it becomes a medium low angle shot of our heroes standing above him. This to me shows that the villain has become less and less until his final death which allows our heroes to stand tall and finally have hope.

Something which I adore in this scene is the use of the main theme for different uses and emotional needs. To begin with it’s used in an uplifting side when a character I believed had died comes back to life and then it is slowed and completely turned around and, in my opinion, adds an immense amount of feeling to a scene that already had an immense weight to it. A scene where we watch a machine that has learnt the value of humanity in a final act gives his life so that humanity can continue to exist.